The Role and Function of the Major Monsters in Dante’s...

In Dante’s Inferno, throughout the epic journey of the character Dante into the depth of Hell, he encounters a number of beasts and monsters as he passes along the way, especially through the seven stations of the greatest monsters of Hell. The most significant of these seven major monsters is of central importance to the character Dante’s journey as well as to the narrative, for these monsters not only challenge the presence of the character Dante in Hell, but they are also the important custodians of Hell. Moreover, some of them even have more particular duty to perform, apart from being the Hell guardians. From this point, in this essay of Dante’s Inferno, the seven major monsters, namely Minos, Cerberus, Plutus, Minotaur,†¦show more content†¦The first major monster to be discussed is from the scene in the Canto V; Minos, the monster who stands at the border of the Second Circle of Hell, whose duty is to assign condemned souls to their punishments. He curls his tail around himself a certain number of times indicating the number of the proper circle to which each soul must go according to his or her sin. The excerpt taken from the Canto V to portray the great monster Minos is as follow: According to aforementioned quotation, it portrays that the great monster Minos, as the infernal judge and the agent of God’s justice, represents the human’s conscience and morality. For the time when the sinners come in front of the monster, it reminds the readers to think about themselves: what they have done in the past, or more precisely, their own sins. The monster Minos, moreover, plays an important role to the development of the story as his terrifying treatment of the sinners’ souls and his dreadful method of indicating the circle of Hell for all sinners help increasing the readers’ horror, as well as adding the highly alarming atmosphere to the story. The monster Minos also warns the character Dante in this scene that Dante should not enter the Hell and he even orders Dante to go back, for the Hell is the place for the dead sinners only – not for the living souls, which simply means that the poet Dante wants toShow MoreRelatedThe Inferno : Dantes Personal Journey Through Hell1553 Words   |  7 PagesIn the text, The Divine Comedy by Dante, the Inferno focuses on Dante’s personal journey through hell. Throughout Dante’s journey, he goes through the nine circles of hell. Dante was exposed to a lot of things that he’s never encountered such as limbo, lust, gluttony, greed, anger, and much more. These topics of the Inferno all correlate to my life as nursing student. I wouldn’t like to compare something that I am passionate about, however the process of becoming a nurse is very stressful. DanteRead MoreVideo Games : A Multi Billion Dollar Domain1706 Words   |  7 PagesPeach’s role is essentially that of the ball. (Sarkeesian, A)† The Damsel in Distress trope disempowers female characters and robs them of the chance to be heroes. The second trope is Women as Background Characters. Anita Sarkeesian defines the Women as Background Characters trope as â€Å"the subset of largely insignificant non-playable female characters whose sexuality or victimhood is exploited as a way to infuse edgy, gritty or racy flavouring into game worlds.† These characters occupy the role of notRead MoreW.B Yeats Great War Poets Symbolism2893 Words   |  12 Pagesas a means of representing mystical, dream-like and abstract ideals. This was especially prevalent towards the latter part of his life when, inspired by his wife Georgiana Hyde-Lees, he developed a symbolic system which theorized movements through major cycles of history in his book A Vision (1925, 1937)[1]. â€Å"The Wild Swans at Coole† and â€Å"The Second Coming† are poems of Yeats’ which incorporate symbols, and will be discussed in this essay. In A Vision, Yeats speaks of â€Å"gyres† as his term forRead MoreThe Nature Of The African Landscape10552 Words   |  43 Pagessocial, cultural, and political backgrounds presented Africa with a very shining image. They loomed Africa as exotic, strange, and the promised of golden opportunities. However, in the nineteenth-century Western colonial discourse, Africabegan to function as a synonym to absence and infinite. (Miller, 1996: 92). This is because the colonial missionaries and administration of Africa turns it into a realm of darkness, corruption, and a source of terror that lacks shape and pattern. The credential of